Black Top – The History

Pat and Orphy reading books@jpg

Black Top was initiated in the latter part of 2011 by Jazz Warrior and multi-instrumental Orphy Robinson and pianist / sound sculptor Pat Thomas. The duo of  Robinson and Thomas,  are shape-shifting unit dedicated to exploring the intersection between live instruments and lo-fi technology. Their virtuoso, freely improvised performances combine twisted loops, samples and dub-effects, which draw on their Afro-Caribbean roots, with a spontaneity and daring rooted in experimental free-jazz.and with the spirit of pure improvisation which is rooted in the free jazz experiments of NYC musicians like Sam Rivers. The result is always a journey that conjures evocative and dramatic soundscapes, which mirror Black Top’s expansive global worldview. The ensemble made its debut at Dalston’s innovative and prestigious venue Cafe Oto and in doing so found a regular home for their excursions. While Orphy and Pat throw around random phrases like Archaic Nubian Step Dub this meeting of musical minds is dedicated to developing working relationships with virtuoso musicians from across the cultural and generational spectrum that can match their own technical dexterity and handle the element of surprise.Each in the series is moulded by the contributions of a unique guest collaborator. Now with a critically acclaimed debut album ‘Black Top Number one’ released on Babel Records. In 2012 Black Top performed at The Gateshead Festival at the Sage and at the Jazz festival Konfrontationen in Nikelsdorf, Austria where Orphy also performed with ‘The Necks’.

Other sound explorations have seen Black Top uniting with Evan Parker Saxophonist, violinist Satoko Fukuda, Byron Wallen, Jason Yarde, Cleveland Watkiss, Fumi Okiji, Caroline Kraabel (alto) and South African master drummer Louis Moholo. A sold out two-day residency with former Ornette Coleman bassist Jamaaladeen Tacuma, during 2014 London Jazz Festival has helped to cement the Black Top brand as one of the finest operating in the Uk today. Black Top’s Caribbean roots underpin a bold quest that unites the freedom of Sam Rivers’ NYC loft sessions with lo-fi technology that can unleash twisted, post dub, Afro-diasporic loops and samples. Their virtuoso, dynamic and purely improvised collaborations have generated both critical acclaim and devoted new fans.          Black Top have their second album due for release on the Babel label in 2015 with Evan Parker as the featured guest.

 

 

Leave a Reply

Your email address will not be published. Required fields are marked *